先週まで…
「YouTube」の音楽チャートで…
再生回数「４億PV」超で…
ぶっちぎりの１位だった…
「韓国」動画がありました…
上記画像は先週のチャートです…
「韓国が１位は…いくらなんでもオカシイだろう」
「韓国お得意の F5 アタックだろう」
…と…日本では…バカにされていましたが…
トラフィック増大に業を煮やした「YouTube」が…
検索アルゴリズムを変更すると…
2012.10.12 に発表しました…
YouTube search, now optimized for time watched
source : 2012.10.12 YouTube CREATORS (ボタンクリックで引用記事が開閉)
We've started adjusting the ranking of videos in YouTube search to reward engaging videos that keep viewers watching. This is a continuation of ongoing efforts to focus our video discovery features on watch time, and follows changes we made to Suggested Videos in March, and recent improvements to YouTube Analytics.
The experimental results of this change have proven positive -- less clicking, more watching. We expect the amount of time viewers spend watching videos from search and across the site to increase. As with previous optimizations to our discovery features, this should benefit your channel if your videos drive more viewing time across YouTube.
Yesterday, we added new Time Watched reporting to YouTube Analytics, so now you have even more tools to evaluate the performance of your videos and channel. So keep making great videos that your fans will love and share, and encourage them to discover more of what YouTube offers, and you’ll see your own fan base grow, too.
アルゴリズム変更の詳細は当然ながら不明ですが…
再生回数ではなく視聴時間を重視する方針転換のようです…
そうすると…効果覿面…
これが…今週のチャートです…
綺麗サッパリ…
「韓国」動画が消え失せました…
イヤ～～清々しい…
これは…かなり…
恥ずかしいぞ！！韓国wwwww！！
まぁ…
「恥ずかしい」などと言う概念は…
韓国にはありませんけどね…(￣ー￣)邪笑
タブ開きまくって…
聴きもしないで再生しまくるんでしょうねぇ…
世界中が迷惑です…
2012.10.17 追記
以前に香港のTIMEの記者だったという「ERICA HO」が…
上記「YouTube」の発表後の…2012.10.15 に…
かなり間抜けな記事を書いていますので…
引用しておきます…これは…
掲載した「TIME」も…かなり恥ずかしいですね…
尚…引用元ページは…
気持ち悪いページや動画ヘの誘導リンクだらけです…
‘Gangnam Style’: Is Japan Immune to PSY Mania? / By ERICA HO
source : 2012.10.15 TIME (ボタンクリックで引用記事が開閉)
If you’re tired of Korean rapper PSY’s ubiquitous viral hit, “Gangnam Style,” it may be time to pack your bags for Japan.
It’s an unsual paradox: Korean pop, a.k.a. K-Pop, is huge in Japan as it is elsewhere in Asia, with artists like Girls’ Generation and TVXQ regularly drawing teenyboppers’ ears. But for a variety of reasons, “Gangnam Style” — which rose to #2 on the U.S. Billboard charts and has been viewed more than 460 million times on YouTube — just isn’t all that big in Japan.
Maybe it is because no one has just been paying attention all that much. “Over the past month, Japanese media rarely reported about “Gangnam Style” fever,” reports the English-language version of the South Korean news site Dong-a Ilbo:
As a result, Japanese are familiar with Korean actors such as Bae Yong-jun, aka Yonsama, and Jang Geun-seok but hardly know PSY.
The leading [Japanese] daily Mainichi Shimbun on Friday featured Psy’s song in the article, “Close to #1 in the U.S.,” but gave just a brief mention about his concert at Seoul Plaza the previous day that was broadcast worldwide and the song’s position on the U.S. Billboard Hot 100.
Intereretsingly PSY, a.k.a. Park Jae-sang, is far from unknown in Japan, despite the fact that he fails to fit the mold of a typical K-Pop star (which is to say, young, svelte and extremely attractive). According to the Japan-based publication Rocket News, PSY’s own rise to fame was in fact reported by Japanese music publications and pundits.
But as the Japan-watching blog Kotaku noted, it’s common practice for K-pop stars to release Japanese-language versions of their hits in order to capitalize on their biggest market outside Korea. And according to Rocket News, the local version of “Gangnam Style” never made it to Japanese shores — but not for lack of effort:
As it turns out, [PSY] tried. Back in August, PSY’s Japanese record label, YGEX, announced that PSY would release a slightly-modified Japanese version of “Gangnam Style” called “Roppongi Style” in late September. After the original song exploded in popularity overseas, YGEX decided to stick with the original Korean “Gangnam Style,” but still aim for a September Japanese release.
For reasons that are still unclear, “Roppongi Style” never quite made it on the air. YGEX put the single on hold without further explanation.
Lastly, it’s entirely possible that the recent political climate in northeast Asia might have cooled the Japanese fever for Korean pop songs. In late August — just as PSY was quickly rising to worldwide prominence — a dispute erupted over the Takeshima and Dokdo islets between Japan and Korea, with both countries claiming ownership. With diplomatic tensions running high, the Japanese public increasingly steered away from any perceived pro-Korean sentiment.
It’s a shame, really. In NewsFeed’s opinion, there isn’t a diplomatic row in the world that couldn’t be resolved with a little invisible horse dancing.
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